I understand that lots of people like the Beatles. I understand that many of the musicians that I like and admire are Beatles fans. But for me they’re an overrated icon of a previous generation, shoved down my throat by the baby boomers who control so much of popular culture. My feelings about the Beatles are tied up with my feelings about Classic Rock radio, which I’ve discussed in detail recently.

But I realize that the Beatles are an important part of many people’s lives and so this week I pay tribute to their music. In my own way.

Bugotak “Kon’ Togethy (Come Together)” (The Beatles)
Tuvan throat singing makes any song better.

Little Junior Parker “Taxman” (The Beatles)
While this song is witty, I’ve always found it to be an annoying example of rich people whining about the problems of being rich. This smooth, sophisticated blues version sounds more like a workingman’s lament.

Diego Pelaez “Drive My Car” (The Beatles)
Needless to say, there are many covers of Beatles songs done in many different musical styles. This is a really nice salsa tune with a wonderful horn section. They make it hard to believe that this song was ever not a salsa. If you want a Latin Beatles cover that doesn’t work quite so well, just keep reading.

Big Daddy “Fixing A Hole” (The Beatles)
The official story of Big Daddy is that they were captured by Laotian revolutionaries in 1959 and held captive for twenty-four years. Upon their release in 1983 their cultural isolation caused them to play the popular songs of the day in the style of the 50s. Thus this rockin’ Beatles song that sounds suspiciously like “The Wanderer.”

The G9 Group “Lady Madonna” (The Beatles)
Where to start? These folks are from Brazil, so English is not their native language. They also chose a song that just doesn’t translate very naturally into a samba. The singer (who can’t sing all that well) really strains to make the lyrics match the rhythm they’ve forced upon the song. All in all, it’s pretty charming in its graceless execution.

Anthony Newley “Within You Without You” (The Beatles)
You have to admire this song for its style, its execution, and its scope. It is not only the worst Beatles cover ever, it’s a strong contender for worst cover ever and worst song ever recorded. The vocals inhabit some godforsaken realm between mewling and warbling. The syrupy strings add nothing to the song and are so loud that they fight with the sitar and tablas.

This recording comes from a television special entitled Beatles Forever that aired on ABC in 1977. It was hosted by Tony Randall, who provides the sonorous introduction. The show also featured the vocal stylings of Mel Tillis and Paul Williams. Somehow they also roped Ray Charles into this hot mess.

As Johnny Cougar so memorably told us, if you don’t stand for something you’ll fall for anything. Everybody needs something to believe in, something to give your life purpose and meaning, something to cling to in times of trouble. Don’t know what to believe? Let me help you out.

The Beat Farmers “Reason To Believe” (Bruce Springsteen)
At the end of every hard-earned day people find some reason to believe in something, whether they choose to believe that a runaway lover will return or that a dead dog will get up and run.

I still miss Country Dick Montana and the Beat Farmers. They were one of the most fun live bands I’ve ever had the pleasure of seeing. The closest thing to them today is the Waco Brothers. They used to rock this song harder than Broooooce could ever dream of doing.

Hearts Of Palm UK “Would You Believe” (Billy Nicholls)
Billy Nicholls and his album Would You Believe are probably more well-known in England than America. Over there it’s heralded as the British Pet Sounds. There are indeed similarities in tone and style, although I don’t know any American who would put Billy Nicholls on a par with Brian Wilson.

This cover sounds nothing like the original, which is a beautiful song that is definitely of its time. This is all synthesizers and clattering percussion. There’s more interesting stuff by these people at their MySpace Page.

Sally Timms “Reason To Believe” (Tim Harden)
It’s a simple song but it nicely captures a situation that we’ve all been in. Your lover blindsides you with deceit and still you try to find a reason to believe him/her. You do it because you’re committed to the relationship and you’re not about to abandon all the work you’ve put into it. Or you do it for the children. Or you do it because you’re not prepared to face the world alone. But in the end you’re delaying the inevitable. And deep down inside you know it.

This is a nice live recording of Miss Timms. She’s a wonderful singer but she can be a bit mercurial on stage. I’m a little surprised that she didn’t stop this song to verbally abuse the people who were talking when she was singing. I’ve seen her do it more than once. I’ve also seen her hand out marmite to the audience. That unpredictability is one of the best things about going to one of her too-infrequent shows.

Smash Mouth “I’m A Believer” (The Monkees)
Here’s a song about love and belief that has a happy ending. And what else would you expect from a Monkees tune?

Smash Mouth is my guilty pleasure. One night I was channel surfing and came across an hour-long show that had a 30 minute set from Sugar Ray and a 30 minute set from Smash Mouth. I stopped surfing to watch Sugar Ray because I wanted to see what all the fuss was about. They were pretty terrible. I didn’t have much hope for Smash Mouth and I enjoyed them immensely.

The Cast of “Glee” “Don’t Stop Believin'” (Journey)
There are people who view Journey as a guilty pleasure. I am not among them. But this number from the cast of Glee is fun. Special thanks to Uncle Flakey for sending it my way.

In my professional life I work as a computer consultant. Recently I’ve been working on a network configuration that’s known as the “golden triangle.” That’s where you have a Macintosh server and a Windows server that talk to each other and collectively provide services to client computers on the network. Apple claims that it’s easy to set up, but it can be tricky and it takes a bit of finesse to pull it off. After successfully implementing this setup for my client I thought that I should pay tribute to the Golden Triangle this week on Cover Freak.

The Bobs “Particle Man” (They Might Be Giants)
Triangle Man sounds like a real dick. He hates Particle Man, he hates Person Man, he’s always getting in fights. Universe Man really should put him in his place.

Vibrating Egg “Bermuda” (Roky Erickson)
There are some artists whose music is an obvious indication of mental health problems. Wesley Willis is a good example. Roky Erickson is another. This song starts out as a very nice tune about kicking it in Bermuda and then for no apparent reason he starts ranting about the Devil’s Triangle. The first person who heard this song should have given poor Roky some lithium.

This song is from the very excellent tribute album Where The Pyramid Meets The Eye, which is how I got introduced to Roky’s music.

Nouvelle Vague “Bizarre Love Triangle” (New Order)
I’m not a big fan of New Order but just about every cover of this song that I’ve ever heard I’ve liked. This one features some incredible harmonies. I’m not sure if there are two different women singing or if it’s done with overdubs but it’s very nice either way.

The Dropkick Murphys “The Auld Triangle” (comp. Brendan Behan)
This one’s a little more obscure than most of the stuff that I post here. The song was written by legendary Irish poet and playwright Brendan Behan as an introduction to his play The Quare Fellow and it has since become something of a modern Irish anthem. The triangle in the title refers to a large metal triangle that was beaten every morning with a hammer by prison guards to wake up the prisoners.

Counting Crows “Carmelita” (Warren Zevon)
The term “Golden Triangle” is also used to refer to the area of Southeast Asia where the majority of the world’s opium is traditionally produced. These days I think most of it comes from Afghanistan, but that’s neither here nor there. It’s a good excuse to post a cover of the greatest song ever written about being strung out on heroin.

This cover is really well done. The subject matter and lyrics suit Adam Duritz’s mopey delivery quite well. By coincidence my niece and her boyfriend were recently in Echo Park on vacation. I don’t think they were hanging out by the Pioneer Chicken Stand scoring heroin but I’ll confirm that when I see them in a few weeks.

I love my dog. He’s a very sweet animal and a great watch dog. He also started his life in a puppy mill and thus was a little inbred. The upshot is that he has a host of skin and food allergies that require me to cook up batches of dog food for him. Part of my routine every Sunday is to cook up a mess of “dog stew” as we call it around the Casa de Freak. And as I was shredding the sweet potatoes this time I started thinking about the place of dogs in music. And I came up with these songs.

Johnny Favourite Swing Orchestra “Black Dog” (Led Zeppelin)
Let’s enjoy one more overplayed classic rock nugget, shall we? There are plenty of Led Zep covers out there but this is the only one I know of by a swing band. And swing it does.

Alejandro Escovedo “I Wanna Be Your Dog” (The Stooges)
I’ve heard Alejandro play many times with many different bands. Hearing him play Iggy Pop with a band featuring a cello and a violin rocking it this hard completely blew me away.

Butthole Surfers “Underdog” (from the cartoon Underdog)
It really sounds like Underdog is coming to kick your ass, doesn’t it? The cartoon and its theme song were parodies of other superhero cartoons and that’s probably why I liked it so much as a kid. Even at a tender age I was really into parody, satire and irony.

Beck “Diamond Dogs” (David Bowie)
Beck is an artist I have a weird relationship with. There’s plenty of stuff he does that I just don’t care for. And then there’s the stuff like the whole One Foot In The Grave album that makes me think that he’s a genius. This song falls somewhere in between but it’s still very nice.

Groovegrass Boyz “Salty Dog Blues” (Traditional)
I remember first hearing this song on the old Andy Griffith Show. I had no idea what a salty dog was or why somebody would want to be one, but I liked it all the same. I’m still not sure about the whole salty dog thing.

Dramarama had a song on their sublime album Vinyl called “Classic Rot” that neatly sums up my feelings about classic rock radio.

Doesn’t it seem absurd?
Little children learning every single word
And they mimic words and phrases of a
hundred years ago
And observe a moment’s silence for the guy who
wrote Hey Joe

That song hit the shuffle play on my iPod recently and it got me to thinking about classic rock radio. When I was in grade school and started getting into music I listened to the local classic rock stations because, well, everybody else did.

The classic rock stations were programmed by people from a previous generation (I was four years old during the Summer Of Love) with playlists consisting mostly of the songs of their youth. They played a half-dozen or more songs from each artist they played but they played such a small number of artists that you’d hear the same stuff over and over, day after day. I don’t see any reason to listen to the soundtrack of somebody else’s life, and that for me is the whole problem with classic rock as a radio format. The only good thing to come out of my youthful flirtation with those stations is that I became determined to find other music that I hadn’t heard a thousand times before.

I cringe when I hear the classic rock staples, but there are people who can make even the hoariest of warhorses sound fresh.

Sebadoh “Cold As Ice” (Foreigner)
I still like the cover of the first Foreigner album, it has that cool Euro-immigrants-at-a-train-station thing going on. Their music is such bland and calculated commercial “product” that I sometimes have a problem considering it music. But Sebadoh has caused me to reconsider things.

Bohemian Vendetta “Satisfaction” (Rolling Stones)
There’s a smoldering danger to this song that I’ve never heard from the Stones. And I like it.

Sleater-Kinney “More Than A Feeling” (Boston)
I was a Boston fan for awhile in grade school. Even by then I was getting sick of hearing Led Zeppelin every hour on the hour. Boston was new. They weren’t especially different or good, but I hadn’t heard them with numbing frequency. Yet.

Karen Abrams with the Austin Lounge Lizards “White Rabbit” (Jefferson Airplane)
I’ve often snarkily remarked that any song can be a reggae song. The same can sadly also be true for bluegrass music, as those stacks and stacks of “pickin’ on” records have proven. Bluegrass covers of Black Sabbath songs are amusing for a song or two but it’s hard to listen to for an hour straight.

But in this case we aren’t dealing with bored studio musicians strung out on cocaine. We have on our hands a bunch of very sharp performers who genuinely love the music they’re playing. And it shows.

Frank Zappa “Stairway To Heaven” (Led Zeppelin)
This was recorded on FZ’s last tour in 1988. I was apparently fortunate to see him on this tour because the liner notes for his CD The Best Band You Never Heard In Your Life say that this band toured Europe and the East Coast and then “self-destructed.” I guess Chicago was as far west as they got.

It was huge amounts of fun to watch them play “Stairway.” Ike Willis was wearing a rubber Ronald Reagan mask, running around the stage waving his arms and wagging his head as FZ made weird noises with his keyboard.